We’ve been flying the French Express flag since pretty much day one, covering the likes of Chris Malinchak, Jonas Rathsman, Perseus, and of course the man of the hour, Isaac Tichauer. Partnering with Nibc on this remix of Lancelot‘s Ajunadeep debut, the pair head south with a locked in groove pattern, drizzling on top sophisticated,
Canberra house duo Skin & Bones originally wrote this remix in a bid to win a competition. However, unfortunately it didn’t make the entry deadline which is a total shame because this track is oozing of some serious shoulder-popping grooves. It seems the duo have added to their resume as of late with supporting DJ
Adelaide kingpin Motez Obaidi has dished out a very special gift for surpassing 20k likes on Facebook; an intricate and bass-heavy edit of incoming LA disco-m8 Goldroom! A mid-year hit ‘Embrace‘, clocking good rotation and a strong position in triple j’s hottest 100 of 2013, Motez dusts off the sparkle and shine of the original and
Ditching the deadweight and branching out on his own, Oscar Key Sung (formerly of electro-pop/twee outfit Oscar & Martin) has dished up a delightful first effort on ‘All I Could Do‘, showcasing his unique vocal features and ear for a great pop melody. It’s the Naysayer & Gilsun remix that takes it up a gear, firing a barrage of military
A ridiculous, bass-driven first offering from Ta-ku and Kit Pop‘s collaborative effort HWLS graces us as our numero uno post for 2014. ‘001‘, an entree to wet the appetite as the pair finish off their debut EP, is a howling, three minute barrage of tricked out chord progression, warped, pitched-up vocals and chest-warming, low-end bass.
We don’t dare utter those forbidden words often, but… Australian Sound? UGH. Even worse we’ve been hearing the abbreviation ADM said with a straight face. STOP TRYING TO PUT LABELS ON EVERYTHING. Anyway this is a fucking radical dude out of Sydney called Basenji who combines some of the most whack plug ins and super trill hats and